In my artisan life, there is tension between textiles that survive and that have the potential to rot away.
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Weaving in progress, like all works in progress, are compelling visions which can offer aspiration and dread simultaneously. It is a stark dichotomy of tangible formulations and opened parallels. Like all forms of craft, it is the result of practice, iterations and repetition.
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As an adult, my art practice has evolved out of an interest in nature, a sense of conflict over contributing further objects and materials into a culture of “too much”, a sensibility to use what is around me, an innate desire to make, and a belief that investing energy and care into materials is deeply meaningful.
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As an adult, my art practice has evolved out of an interest in nature, a sense of conflict over contributing further objects and materials into a culture of “too much”, a sensibility to use what is around me, an innate desire to make, and a belief that investing energy and care into materials is deeply meaningful.
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