As part of a new series of essays taking inspiration from the Alternator archive, Lucas Glenn interviews prominent syilx artist Sheldon Pierre Louis to discuss his practice, and what it means to make space for syilx and Indigenous artists.
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'(un)resolving liminality', an interpretive essay on Jordan Hill’s exhibition, The Missing Distance, written by Aly K. Benson.
In an evergrowing world, with each passing chance for advances to take over, we as a people expand our abilities, and our minds have no option but to choose a narrowed lane of focus. To better state, yet paradoxically: as the world gets bigger, it gets smaller.
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As part of a new series of essays taking inspiration from the Alternator archive, Erin Scott explores the ever-evolving community-based arts practice of Mariel Belanger.
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As part of a new series of essays taking inspiration from the Alternator archive and activities, Andrea Routley considers Community Partnerships, and the value of creating a welcoming space.
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“Maybe we should stop trying to understand the world and instead trust the wisdom of algorithms”
(Megan O’Gieblyn, 2024, pg. 100)
CGish amalgamates the digital with the analog, using custom generative algorithms to splice together objects into perplexing, yet believable, forms. Heather Savard, writes on the state of AI and the future of art.
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Michaela brings her own diasporic Afro-Carribean heritage forward with such sincerity. The scents in the salves of hair picks also pull from the landscapes of Kelowna. Patchouli, fir, and charcoal mix with black pepper, allspice, and shea butter. Scent mimics self as an olfactory Blackness is brought into this space.
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What is time, and how do we experience it? Recent and ongoing events have made us all aware that
time is as fragile as it is precious. If the order of time were to collapse, for whom would it matter?
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